NYC and LA Premieres!!!!

On February 29th, Burning the Future: Coal in America will premiere at the Landmark Sunshine Theater in NYC for a one-week run! We will have Q & A sessions after the early evening showings on Friday and Saturday, and after matinees on Sunday. During the following week, we will provide Q&A sessions after any screening which a local high school or middle school attends.

I am very excited about this new and rapid development. Please look for reviews in the papers and spread the word!

Tickets will be available on the Landmark Theater website, or...

https://tickets.landmarktheatres.com/Landmark.aspx?TheatreID=256



On March 7th, BTF will have its West Coast premiere, also for a one-week run! Exact theater and times to be determined. I will update as soon as possible.

My dreams for the DVD and Website

We're working on the DVD - and it's exciting. My greatest wish from the beginning has been that Burning The Future would be a tool for debate. Certainly, we need the energy we use and we are likely going to need more as technology grows. But we are at a critical turning point for the planet, and for the coal mining regions of Appalachia.

The DVD will expand upon the themes of the film - Digging Deeper to learn more about coal, about grassroots activism, about the collateral affects of coal-fired power, about its contribution to climate change, and about what we all can do. And that's the most exciting part...what we all can do. Plus, it will pop into your computer and link directly to a growing website that will allow provide much more information and allow for interactive debate. I will welcome ALL VOICE in this debate, because no single position is without some merit, some need, some POV that is based in the realities of many people.

Much, much more to come. I'll be sharing these developments as they emerge.

Website Goes Live

Today, the Burning The Future website goes live! www.BurningTheFuture.com will be an ever-expanding resource for those interested in learning more about coal, our energy policy, and how we all can help. Please check it and an register for frequent updates about the film, the site and more.

Sundance - does it matter?

We're waiting to hear about Sundance, the world's premiere film festival. One day, I'm sleepless wondering if Burning The Future will be admitted to the festival. The next, I wonder if it really matters.

But the more I ponder the question, the more I come to realize that it's not about me, or my "film" - it's not approval from some distant board of directors that I seek. It's about the issues.

This business of coal in the US, as the answer to our energy security, is so paramount at this critical moment of climate change, that I must value highly any mechanism for catapulting the dialogue to the national level. I think of all the hipsters and college students who follow Sundance and watch documentary film, plus the fans of non-fiction film of all ages...these are the folks who get motivated at the grassroots level to move this country, and I must recognize the important place that the Sundance Festival holds for this crowd.

So we hold our breath, hoping that the distant board sees the value of the debate and chooses to play a vital role.

This blog will be the first public announcement I make about yeah or nay with regard to Sundance. Check back in early December.

What of the Miners - Unsung Heroes

I've blogged about the miners before, and I will again. They are the unsung heroes of the energy behind America. How do we move forward, how do we progress towards a clean energy policy, without leaving them and their families behind?

And it's not only miners, it's all the support companies whose work in the coalfields is directly generated by the coal industry...shop keeper, lawyers, accountants, mechanics, electricians...an endlist list.

I have some thoughts about this..... but I want to hear yours. Please, let us solve this together. Let's make sure the solution respects those who have sacrificed the most.

Private Screening in WV, celebrating clean water

October 2007 - The folks in Williamson HAVE CLEAN WATER! This has been a major triumph for them. Tap water has been brought to the communities of Sprigg, Lick Creek, and Rawl. It is a major testament to the endurance and determination of the folks living in those parts, and to the state for finally stepping up, admitting that their wells are toxic, and bringing them city water.

I travelled to Williamson to show the film to a group of folks who are in it. Billy, Carmelita, Ernie and others. To be honest, I was nervous about their response. It's hard to predict what the subjects of a film are going to say, as they see the broader connections that the filmmaker has brought to the narrative. Their response took me by surprise...

From start to end, there were tears. Not because the film is sad, but because the story is so raw, and as Billy said, they saw so much hope in both the success of their community activism, and in the existing of the film itself - drawing national attention to their little corner of Appalachia. It was a humbling honor for me to share that with them, as well as the awesome spaghetti and meatballs!

So much has happened, so little time

We're in high gear. The White House is trying to change a major rule, the Stream Buffer Zone rule, that will allow for increased mountaintop removal coal mining and remove one of the only grounds on which folks can issue lawsuits against the coal mining companies and the permitting agencies. See www.700mountains.org for more information. We're in the middle of the 60 day comment period...heading, I hope, not toward disaster but toward a small victory.

In this context, I think of the heroes of the film and what they must face. For every victory, there is another defeat. But now they are mobilizing feverishly.

Maria, Bo, Ben, Donetta, Billy...I'll find out what they have to say and post their comments later this week.

Film Completed!

It has been five years in my head, 2 and a half years since shooting the first tape, and the most incredible experience of my professional life. Three titles later (first American Coal and then Coal-Fired), Burning The Future: Coal in America is complete. I walked out of the final edit and color correct with a finished work in my hands. Now, it is time to birth the baby. The journey is hardly over.

Why so much Electricty?

We are THIRSTY for power - electric power. Look around your home. The American way of life is based on consumption and modernization. How many devices in your home CONSTANTLY draw power whether you use them or not? Microwaves, televisions, cable and satellite TV boxes, alarm clocks, computers, printers, AC/DC converters (the kind that charge your iPod or your cell phone)...it's a long list. Then there are simple efficiency issues...we can't all afford to run out and buy a new a/c or refrigerator just because a "slightly" more efficient model has come out. American manufacturers have not been held accountable to real efficiency standards.

Coal-fired power is cheap to purchase. It is domestic which is arguably a good thing for national security. And it fuels our unquenchable thirst for electricity.

Wow! In High-Definition

I am sitting in the online of the film. It is the first time I see the footage in high-definition. OMG! The beauty of West Virginia is just astounding. Juxtaposed against the vivid images of dirty water, levelled mountains, and arid land...the overall impact is unearthly. And the people - in high-definition I am thrown back to every wonderful and shocking minute I have spent with Maria, Ben, Billy, Bo and Donetta. Their moods, their expressions, their fervent truths, their love, their humor, their humanity... it is as if I am seeing them anew. Wow!

Music: Raz is a Genius

All the music for Burning The Future has come together. Raz Mesinai, the composer, and I have been working on it for months now. (see earlier blogs on music) What he has done is nothing short of genius. I couldn't be happier. Every mood, every nuance, with barely a smattering of a blue-grass feel. His soundscapes and rhythms keep things pulsing forward, and the tonal palate is like a smorgasboard of flavors that, though often contrasting, work great together. I hope we are able to do an album of the score. Thanks, Raz. (see www.razmesinai.com )

Composer "B" is a godsend - Raz Mesinai

His name is Raz Mesinai. I am thrilled that Raz will be doing the score for the film. He and I share a host of ideas for creating sounds out of ordinary things. As a basis for scenes involving water, we will make tones from large glasses filled with water. To connect to the earth, we will use rhythms and native american sounds. To capture the churning of the industry night and day, we will pulsate. And we will go to acoustic instruments to depict the positive connection between nature and people. It will be ecclectic for sure, but it will also unify the film into a solid work. I am charged up!

Composer "A" - bad idea

After two weeks of negotiating and finalizing a contract with composer "A", he has informed me that he won't be available for several MONTHS. But I need a rough score in 6 weeks. I wish he had disclosed this earlier in our negotiations, saving both time and legal expense. I'm going to call composer "B" - instinct says it is all for the better.

Finding the Composer

I've spoken to two composers - we'll call them "A" and "B". I liked them both over the phone. There's something about "A" that I think will make communication easier. Also, he has a bit more of a rock and pop feel, which is more what I believe I want for the film. And he can write a real "song" if I need one. Then again, there is something about "B" that is compelling, almost haunting. He is a composer of a different ilk. While he does film scores, he also does professional avant guard composition. But I'm not sure I can communicate as well with him. Or that he can produce a soundtrack that isn't simply avant guard or tonal sounds. Tough choice. I'm going with "A".

MTR Aftermath - what is left.

Mining companies are supposed to "reclaim" the land. This means that, according to law, they are to restore it to equal or better use than before.

What is left atop these MTR sites? As one University of Kentucky biologist described to me, it is the most unproductive ecological environment one could imagine. The soil is compacted blasted rock, not real topsoil. So it doesn't retain water very well. As a result, only drought-resistant species can thrive - which means importing plants from elsewhere in the country and the globe. The tall hardwoods and fertile understory that were once home to the American chestnut, dozens of invertebrates, mosses, mushrooms, ginger, dozens of medicinal plants and herbs...it is all gone and can not return in any conceivable amount of time. Dr. Ben Stout from Wheeling Jesuit University states, "a forest will grow here in a millennium, but it will never be like the ancestral hardwood forest that once stood here."

Some sites are "improved" with an airport strip (how many residents in the coalfields would you guess can afford a private plane?), a prison, a school that had to be closed because of a shifting foundation, a golf course (which can only serve coal company executives), and a Wal-Mart. Improvement is definitely a subjective notion.

What is Mountaintop Removal? (MTR)

Coal exists in the mountains of Appalachia like layers in a cake, with solid rock between the layers. A traditional mine is made of tunnels in the earth created by taking out the coal. But in order to prevent a collapse of the mountain, sections of coal are left untouched and in the upper reaches of the mountains, the higher layers are often not mined at all.

The coal industry figured out that if they could just REMOVE the mountain from the top, exposing the coal, they could extract it all - cheaply, and with better safety standards for miners. So.....

Step 1 - Clear cut the trees. Here, natures bounty of high and low-growth vegetation, with the rich diversity of the temperate forest and understory, is simply removed. It is supposed to be "harvest" but is almost always simply cut, piled, and pushed off the steep slopes into the valleys below.

Step 2 - Blasting. Millions of tons of explosives are set deep within the layer of rock that sits above the coal seam. This rock is BLASTED. (see the trailer for a visual).

Step 3 - Valley Fill - The loose rock is disposed of, pushed off the steep slopes into the valleys below and compacted into what is called a "valley fill" - a terraced wall of compacted earth with little structural integrity. Often a "drag line" is employed to move large sections of earth with its huge shove, the size of a large home.

Step 4 - Coal harvest - the exposed coal seam is scooped up with bulldozers and carted off for chemical processing at a nearby plant.

Step 5 - Blasting. The next layer of rock now needs to be removed and the process begins again.

Thus, minimal labor results in maximum coal extraction. Unfortunately, it is also maximum damage to the environment. Today, about 40% of the coal extracted in West Virginia is mined in this manner...and growing.

Birth of an Idea for a Film

A friend of mine had brought me to Kentucky to show me what he called "an atrocity of industry." It's amazing, and quite disturbing. Imagine flying in a helicopter through the verdant valleys of the tightly-rippled Appalachian mountains. The variety of hardwood trees and rich undergrowth is unparalleled anywhere outside of the tropical rainforest. With the window open, the smells of earth permeate the air and you can understand why the "hillbillies" of yore, who were planning to travel beyond the mountains, chose to stay.

The copter flies up through the valley and, as the valley becomes thinner, has to climb. But as the propellered bird swoops above the highest trees, what unfolds before your eyes is a vast lunar landscape as far as the eyes can see. This is a mountaintop-removal coal mining site, where 600 acres of pristine forest have been not only denuded, but leveled. It is going on throughout the coal mining regions of Appalachia, to the tune of at least 600 THOUSAND ACRES so far, and accelerating. These sites can be seen from outer space. Go to GoogleEarth, look at southern West Virginia and South East Kentucky and you will easily find them - and who knows how old those images are.

More later on what mountain-top removal is, why we need so much coal, and the host of environmental and human impacts of this and all forms of coal mining and combustion.

What to do about coal

This is the first entry tracking the making of the documentary film, American Coal. I, the filmaker, will record my evolving impressions here, with an opportunity for readers to post responses. As the film nears completion, I hope you all will be a part of carving the point of view of the film. I can't do this alone.

52% of our electricity???!!! From Coal????

As my Russian friend always says... "can you believe it?" In this day and age, over HALF of all electricity consumed in the United States comes from Coal-fired power plants. It's like a dirty secret. Coal is not of the Victorian era. It is not a relic from the industrial revolution. Coal is here, and it is now, and it is as part of American society today as it has ever been. The difference today is that we have moved the "dirty" aspects of coal to where they are either far away or invisible:

1. Extraction - the mountains of Appalachia are simply being obliterated.
2. Heavy Metals - the dangerous metals that exist both in the coal and in the surrounding rock that has been blasted works its way into ground water, poisoning streams, rivers, and folks who have no choice but to drink contaminated well water.
3. Sulfur/Nitrogen - at the power plant, sulfur and nitrogen are released into the upper atmosphere where they combine with other gases and moisture to produce acid rain. Coal-fired power plants in the Midwest are the source of all the acid rain that plagues the northeastern US.
4. Mercury - at the power plant, mercury is released into the atmosphere and ends up in lakes and fish. Most states have banned the eating of lake fish due to mercury content. Bigger fish eat these fish and the mercury works its way up the food chain and out to the oceans. We are now warned that pregnant women should not eat large game fish, which all have high levels of mercury...all from coal-fired power plants.
5. Fine Particulate Matter - there is soot in the atmosphere from these power plants. It is too small to see, but we know that 50,000 people a year die from respiratory and heart conditions caused by fine particulate matter. Though coal-fired plants are not the only source for this, they are a very significant one.
6. Anyone want to add?